The photographic elite gathered successful Perpignan, France, connected September 1 astatine the yearly Visa Pour L’Image photojournalism festival. That night, the outdoor surface shimmered with images of radical utilizing laptops successful Soviet-era apartments and a carnivore strolling past rundown concern sites. They came from The Book of Veles by Jonas Bendiksen, an award-winning documentary lensman who had traveled to North Macedonia, which had been location to a vibrant fake quality manufacture during the 2016 US election. As his peers gazed astatine his work, Bendiksen watched from the bleachers with expanding discomfort.
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