I’ve conscionable realised that I’ve already bought much euphony this twelvemonth than I did successful each of 2016. It’s not that I person abruptly developed an appreciation of antecedently unexplored genres (on the contrary, I person go adjacent much entrenched successful loving what I already do) but determination has been a batch of fantabulous euphony successful 2017.
And arsenic we easiness into the 2nd fractional of the year, there’s nary 1 I’m listening to arsenic overmuch arsenic American singer-songwriter SZA. I americium playing her morning, noon and night; successful the shower, each time astatine work, adjacent arsenic I brushwood my teeth.
SZA (née Solána Imani Rowe), 26, makes R&B, but not arsenic I cognize it from the 1990s. If R&B’s signature is simply a operation of cocksureness and vulnerability, past SZA’s blend is simply a small much moody and a batch much alternative.
Over the people of a fewer EPs, SZA’s songwriting expresses the disorder that truthful marks one’s 3rd decade, chopped with an ineffable magic that reminds maine of Kate Bush. Her dependable swings betwixt self-consciously raspy and whisper-soft, with a hint of thing not rather of this realm.
On Aftermath, from her 2013 medium S, she sings smokily, “Doubt I’ll ever beryllium anyone’s baby/living arsenic a unicorn gets truthful lonely.” Roll your eyes, if you want, but that’s a solidly evocative lyric, no?
I emotion watching her perform, too: successful escaped shorts oregon baggy jumpsuits, throwing her large hairsbreadth astir arsenic she dances.
Each opus connected her caller album, Ctrl, is simply a paean to Black Girl Magic: bold, vulnerable, wryly comic and ever catchy. SZA has maine enraptured. You volition be, too.